Related Paintings of unknow artist :. | Third-class compartment | European city landscape, street landsacpe, construction, frontstore, building and architecture. 184 | Arab or Arabic people and life. Orientalism oil paintings 231 | Portrait of Kajetan Soltyk - bishop of Cracow | Seascape, boats, ships and warships.97 |
Related Artists:
Severin Nilsson
(1846 - 1918) was a Swedish painter and photographer. He was born in Halland in the south of Sweden. He studied at the Royal Swedish Academy of Arts in Stockholm 1865 - 1871 and then under Leon Bonnat in Paris for three years. Severin painted portraits, landscapes and genre pictures. A prolific artist, he participated in numerous exhibitions and left behind a large and diverse production of work. He was also one of the first Swedish documentary photographers. Inspired by Arthur Hazelius, he made photographic studies of public life, especially in the village Asige in Halland, where he was born
Mattew Ridley Corbet,ARA
1850-1902 was a Victorian neoclassical painter who attended classes at the Slade School of Art under Alexander Davis Cooper and later at the Royal Academy Schools under Frederic Leighton, President of the Academy. Corbet went to Italy in 1880 and met Giovanni Costa, one of Leighton's friends in Rome. For the next three years he stayed and painted with Costa, eventually becoming one of the leading figures of the Macchiaioli school. He concentrated on Italian landscapes and exhibited at the Grosvenor Gallery, the New Gallery, the Royal Academy and the Paris Salon.
Julius Kronberg
1850-1921,Swedish painter and illustrator. He was educated at the Konstakademi in Stockholm, where his teachers were J. C. Boklund (1817-80), August Malmstr?m and Johan Fredrik H?ckert. In 1873 he travelled on a scholarship to D?sseldorf, and in the following year he went to Munich. There he was strongly influenced by the Old Masters (especially Rubens), as well as Hans Makart robustly theatrical style. Together they shaped Kronberg early works, for example Hunting Nymph and Fauns (1875; Stockholm, Nmus.), which caused a sensation when it was exhibited in Stockholm in 1876 and established his reputation. Kronberg left Munich in 1877 and settled in Rome, where, between trips to Egypt and Tunisia, he stayed until 1889, when he returned to Stockholm. During his years in Rome his style became increasingly austere. His exuberant Munich manner was replaced by a colder illusionism, which emphasized the historical details of subjects taken from the Bible and Shakespeare. Typical is David and Saul (1885; Stockholm, Nmus.), which reflected his study of Lawrence Alma-Tadema.